Thursday, March 13, 2014

Posterized

Gallery Night Providence is starting up again with a brand new website and a classy new poster which I am thrilled to report, has my painting on it! This is the second time one of my paintings have made it to the poster and I was very lucky to be asked again to supply the image, and it coincides perfectly with my exhibit, which is having a "closing reception" at the Bert Gallery on Gallery Night, March 20, from 5:30 to 9, if you're in the area. If not, you can always hop on a plane, but no pressure.


The painting is called "The seal" and is a kayaker's view of Harriman Fiord, where I went as part of the Voices of the Wilderness Artist-In-Residence Program in the Nellie Juan-College Fiord Wilderness Study Area of the Chugach National Forest.

This year I couldn't resist the temptation to apply again to the program, this time just south east in the Tongass National Forest near Juneau. I actually sold a few of my Alaska oils during the exhibit and all of my little gouache studies I did in the field, so need to do some more research and restock! And as this is the 50th Anniversary year of the Wilderness Act, it would be great to spend some of it in the national forest with the greatest number of wilderness areas! Wish me luck!






Thursday, March 6, 2014

Icing

 

While kayaking in Prince William Sound ice was often on my mind, under the surface, floating by in sofa sized chunks, or towering above like the skyline of NYC. Mostly I was thinking about avoiding a collision with my kayak, but I also wanted to figure out what made ice tick. Transparency has always fascinated me, and I held my camera close to the surface of icebergs to try to capture its inner life. When I returned and began to interpret it in paint I researched (or as I like to call it, googled) the structure of ice,  finding molecular diagrams and even cool animations of how ice forms melts.



I wanted to incorporate the molecular structure into a new painting I am working on, but the 2 dimensional diagrams were limited as models, so the only thing to do was to build my own. I can't wait to get back to the studio and take it for a test drive!

Tuesday, February 18, 2014

Exhibit update

Three little paintings (Gouache on Paper, 7inx5in) of the trees left by the Long Mesa Fire of 2002 in Mesa Verde National Park where I was Artist in Residence in 2008.  They are currently on exhibit in my show at the Bert Gallery. I will be at the gallery on Saturday, February 22 from 2 to 3, if you are in the neighborhood, stop in and say hi!

Monday, January 20, 2014

Hanging at the Bert Gallery

My latest exhibit at the Bert Gallery is coming together, with the help of Cathy Bert, who has somehow managed to take a disparate collection of my latest work and present it in a way that makes sense, and looks great. The show is still in "beta", but if you'd like to get sneak peek call (401.751.2628) and see if the gallery is open. The official opening is February 20, and will be up through the first Gallery Night Providence, March 20. There will also be a web component, still in development, I'll post a link when it's up. And by a great stroke of luck, an image from the show will be used on the March Gallery Night poster, so check it out!


Tuesday, January 14, 2014

Denali spelled any other way means Denial...

Ok, I’m over my silent sulk. Yes, I was once again rejected from Denali, and no encouraging notes this time either. In fact, they said that due to the high level of applicants, they even added a few more slots. Which doesn’t exactly make me feel better, since I DIDN’T GET ONE OF THOSE NEW SLOTS EITHER! Oh well, will I give up? Probably not, it's a great program, and there is still the VOW program that I can try again. Alaska is not going to get rid of me that easily.

And I missed my window of opportunity for both an End-of-the-Year Wrap-Up and/or a Welcome-the -New-Year optimistic outlook. Wasn’t that clever? So now it’s mid January, the holiday take-over is done,  and its time to take these dark cold days to catch up and get back on track.

And, a few things are going on…. I have a show up at the Bert Gallery, mostly of National Park/Forest AIR work. The exhibit now is in a sort of a work-in-progress/sneak-preview phase so if you’re interest in viewing it in January, best to call to see if the gallery is open. The official opening is February 20, and the show will be up through March (Except the week of the 10th).  More and less confusing details to come!

Also, because it’s not cold enough in RI, I’ve decided to accept an invitation from a friend to share a lakeside cabin in Vermont in February for a winter painting getaway. Luckily it has big windows that look out on the lake, so if we feel wimpy we can paint inside, but it might be fun to see at what temperature oil paints freeze and paint "en aire glacial". And, maybe I can work on my journals during those long Vermont nights. (What, you say? No, really, I'm really going to finish them this time....)


Friday, November 22, 2013

The mighty mongoose and its brush with extinction


Dwarf mongoose Korkeasaari zoo
By Miika Silfverberg (MiikaS) from Vantaa, Finland (Flickr
Because I felt I didn't have enough brushes, this little guy's life hung in the balance. In my search to refresh my well worn collection of synthetic mongoose brushes (Monarch) (Princeton 6600).  It occurred to me that if I liked the synthetics so much, maybe the real thing would be even better. Natural, organic, traditional, like the old masters used in their ateliers, probably made in an ancient European workshop by a one of the last few craftspeople who know how to roll the hairs precisely into the ferrule. I looked them up and was surprised that they weren't much more expensive than synthetics, now losing their appeal. After all, synthetic just a fancy name for plastic–-artificial, factory made, so practical.

But then a thought burrowed into my conscience like a mongoose chasing a cobra. "How do you think they get the mongoose hair from the mongoose into your precious brushes?" So I did what anyone would do, I googled it. And found they were endangered, cruelly dispatched, and more in need of their fur than I was.

So, little mongoose, run free
it's synthetic mongoose for me,
Chase the cobra and the weasel,
I don't need the guilt when I stand at my easel.

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