I don't know what it is about the fall that makes me want to organize my so called life, but I think it might be some instinctual feeling of making sure the nest is in order for the long interior months. So I'm spending some time sorting, cleaning and eliminating clutter. One advantage to that is that I'm finding things stashed away for years, like this oil crayon drawing I did back when the rivers were being moved in Providence. More work from that series can be seen HERE
Thursday, November 18, 2010
Monday, November 8, 2010
June 16, 1939, the year she left the Art Student's League in NYC, 23-year old Louise Marianetti stretched four linen canvases. She coated them, along with several panels, with white lead gesso, preparing them for paintings that, in the next 70 years, never made it onto the canvases. Which is not to say she stopped painting, for according to Cathy Bert of the Bert Gallery, Marianetti returned to Providence in the early 40’s, reconnected with her RISD friends (she earned a degree from RISD in 1936), joined the Providence Art Club and continued to paint and exhibit.
Why this sudden interest in Marianetti? It's because I am fortunate to have "inherited" those canvases along with oil paints with ridiculously low price tags still attached, brushes and assorted tools from her studio. Louise Marianetti died last year and her family is working with the Bert Gallery on an exhibit focusing on the years when she stretched those canvases. They wanted to pass along her unused supplies to artists who would use them. I was thrilled to be one of those artists.
The exhibit will take place early next year. She doesn't have much of a web presence, but I've seen two of her egg tempera paintings, unframed and protected by yellowed glassine paper. They were portraits of women that reminded me of Botticelli, that is, if Botticelli had moved to South America and become a surrealist. I'm looking forward to seeing more, in the meantime, I will have to paint something really special on those canvases.
Wednesday, November 3, 2010
Every year Save the Bay holds an art exhibit of work inspired by Narragansett Bay. And every year I go in search for all the waterfront paintings I've done over the summer. Since I live on a peninsula surrounded by saltmarshes, jetties and coves filled with swans, egrets and ducks and gorgeous sunsets there are endless subjects to paint and where the heck are all those paintings I did? Oh yeah, the same place my time to paint was—hard to find. But I love being in the show and this year I did manage to submit two pieces and have them accepted. Yea! (click on the invite, and then my name, to see the work).
Unfortunately for us wine&cheese freeloaders, the reception is also a fundraiser for Save the Bay and tickets to the opening are $25. a pop. I found that out last year when I blithely headed to STB headquarters with friends in tow. Only after seeing the ticket booth at the door did I realize that the crowd was decidedly better dressed than the motley artists who usually gather around the cheese trays (by which I mean us). But it IS an excellent cause, so if $25. is in your budget, you can enjoy an evening of drinks, good munchies and some very engaging paintings. Not to mention a great night-time view down the bay through the expansive windows and a rare sight — people with their checkbooks out, buying art!
I get to go free this year since I have work in the show, but everyone can visit (minus wine&cheese and entry fee) from Nov. 19-Dec. 28, Mon. to Fri. 8:30 – 4:30 at the Save the Bay center. (directions)