Showing posts with label Gail Cahalan Gallery. Show all posts
Showing posts with label Gail Cahalan Gallery. Show all posts

Wednesday, December 10, 2008

Published, here's the link


The catalog for my show St. Hugh's Bones is now available to order online. I'll be sending the link out to those who signed up soon. Those who bought a painting, and the owner of the beautiful shoe machines, without which this series would not be possible, will soon receive a book in the mail. Anyone else who in interested in ordering the full color 40-page book online or just previewing the first 15 pages can find out more at this link http://www.blurb.com/bookstore/detail/459612

Friday, December 5, 2008

The dust settles

My show comes down today, which makes me a bit sad, but I'm also relieved that the intense work is over. At the same time I'm also a bit nervous, I'm not used to operating without a goal or deadline. After the holidays I'm going to have to figure out the next step, but until then I'll coast.

As far as I know, I'll be taking back all the paintings to the studio, and then I will face the problem of storing them. I haven't really been back in the studio since I finished, so it still looks like it was vandalized. But soon I'll sweep it out and set it straight, that will probably put me in the mood to start something entirely new.


I've very grateful for all those who stopped in the gallery to see my show, both at the openings and during the week, and for all the very interesting comments on my work. I should get the final proof of the exhibition catalog early next week, and then I'll put it in the online bookstore and post the link.

Monday, December 1, 2008

Post Opening and Vloged!

My opening was a lot of fun, I was amazed at all the friends and family who showed up. I was also flattered to be vloged by a very interesting artist/brother of one of my co-workers. Check out his other vlogs while you're there...



The opening was followed by dinner at the Cactus Grill, and we pretty much took over one room of the restaurant. They were very accommodating, even though I made reservations for 20 and about 30 or more showed up! Despite the good time, I'm glad to kick back a bit now, putter around and rediscover other bits of inspiration that I've tucked away in closets, boxes and drawers. Not to mention the inspiration I could get by just getting out into the woods.

My show is up until Saturday, so if you missed the opening and still want to take a look, the gallery is open from 10 to 6. The catalog will also be available to order online soon, so send me your email if you'd like the link.

Friday, November 28, 2008

Thursday, November 20, 2008

Cold and Thankful


My studio looks like it was hit by Fall, but it felt more like Winter last weekend as I went on a painting marathon to finish the last, large (46x58) painting for my show. Temps were unusually low, just edging 30 and gale force winds were blowing, and I didn't have time to do my usual insulating of the garage door. So even after cranking the propane stove for hours, I could barely get the inside temp up to 50. It was comfortable enough though, as long as I wore long johns, 2 pairs of sweatpants, a tank top, t-shirt, a sweatshirt and fleece jacket, 2 pairs of socks and a hat. Whew, that's a lot of clothes.

But the big painting is done, and I deliver it tomorrow, when the gallery will hang the last of my paintings in time for my reception on Saturday. The 40 page catalog will be done as soon as I photograph the big painting and upload the final version. It will be available to order online, and I'll post a link soon. If you'd like me to email you the link, send me your email.

I'm looking forward to tying up the final loose ends of this 3 and a half year project... some serious recharging is in order.

Tuesday, November 18, 2008

Openings and beyond

The first opening (I suspect that's redundant. Should I call my next opening a Re-Opening?) of my show St. Hugh's Bones was last Saturday, and it went very well. Despite a torrential rain and street flooding the gallery was filled with friends and family. It was actually appropriate to have the storm drains backing up, as the subject of the photographs also being exhibited in the gallery, the Combined Sewer Overflow tunnel, is now open and a big celebration party was also being held that night at another location. All the water that would usually cause the system to back up into the bay during a heavy rain was now diverted into the tunnel until the treatment plant could catch up.

Hopefully the weather will be better for my (re)opening on the 29th, when I will have delivered the remaining paintings from the St. Hugh's Bones series. Until then I am still working on the final big painting. This morning I stopped in my studio before heading to work and couldn't resist taking off my gloves and painting out an errant cloud, trying to keep paint off my coat. Hopefully I'll wrap it up this weekend.

The gallery is also opening this Thursday for Gallery Night Providence.





As I mull over what direction I am going to head in after the machine series I'm getting inspiration from two fabulous painters, Sue McNally and Gregory Amenoff. I had seen the work of Amenoff for many years and always have felt the pull of it. I recently have been exploring his website. Very cool stuff.

I discovered McNally's work last year when I went to a one-night exhibit at Castle Hill in Newport. Her work is large and the room was packed, but I squirmed my way through the crowd many times to see the work. I missed her show this year because I was so frantic about getting mine delivered on time, but I'll have to be satisfied with visiting her excellent website.

Thursday, November 13, 2008

Barack the Art and the Ninth Plan

I went to Peter Goldberg's opening last night to see his photos of the huge sewer tunnel which was drilled under Providence, and to get a peak at my paintings. Everything looked really good, Peter's photos were very elegant and have a timeless quality to them.

My paintings were hung and lit very nicely, and I only had to switch two labels. Considering how odd some of my title are, that's pretty good. It was mostly a photo crowd, of course, so the crowd was decidedly on that side of the gallery, but it's great to get "exposure" to that group as well. My opening is Saturday, it'll be a fun party...

Tonight I'm off to the Blackstone to see my husband's band Plan 9 . If you like great guitar work in a wall of pyschedelic sound, head on over to Pawtucket. They go on about 10.

I'm still feeling real good about election night, every once in awhile I stop and realize...hey, Obama won! and it cheers me up. And to add to his talents, I find he is a pretty decent cartoonist as well! Who knew? This is from the Pioneer Local in Chicago.

Monday, November 10, 2008

I get this show on the road!



I packed up my paintings this morning and loaded them in the old truck in the dawn's early light. I was glad that they all fit in one trip. When they're all the same size there isn't as much worry about where the corners fall, so I could stack them pretty high.

When I got to work I found out, to my joy, that tomorrow is a holiday (Veteran's Day)! I've been too busy even to anticipate it, but I sure can use the time. I'm trying to finish my show catalog which unfortunately may not be ready for my first opening, but hopefully shortly after, and in time for the second "one-person-show" opening on the 29th. I'm using a site called Blurb to make it and am hoping to order a bunch, and then put it in their bookstore so that it can be ordered online.

It does feel good, if a bit strange, to look out my office window and see my truck in the parking lot loaded with paintings, and know that most of my work of the last 4 years is ready to deliver.

Monday, November 3, 2008

It's in the mail

The invites to my show are labeled and ready to be sent out, after I buy a bunch of stamps and sit in the RISD library to sort and stamp. I'm also sending out my press releases, awfully late, but better late than never. If you're not on my list, send me your address at EMAIL and I'll send you an invite.

When those are in the mail I'll have a few less things to think of... just finishing my frames, getting my email invite ready, finishing my big painting, finishing my catalog, all in about a week. But that won't prevent me from going downtown Tuesday night for the election result festivities. The show will get done somehow, lets just HOPE the right thing is done for this country.

Thursday, October 30, 2008

Openings and tunnels


Peter Goldberg, in conjunction with The Narragansett Bay Commission, is showing photographs of the Combined Sewer Overflow Project (CSO) and is exhibiting with me the first week or so of my show. His opening is on November 12, from 4 to 7 pm. Since my work will be up as well, it's another chance to snag a glass of white wine in a plastic cup while viewing it.

This photo is from my journey down to the center of the earth, but I'm curious to see Peter's photos. I'm fascinated by the CSO project (see my slideshows of The Utility Shaft and The Main Shaft). Alas, the tunnel is now sealed so there is no hope of getting down there again. I am going to try to go to the opening unless I am frantically finishing up details of my show. Peter's work will come down on November 25, at which time I will put up more of my paintings to make it the one person show that I thought it would be from the start.

The gallery is also open on Gallery Night on November 20, so it works out that there will be 4 receptions during my show, November 12, 20, 15 and 29, all from 4 to 7. The opening on the 29th will include the new paintings I've added. Confusing? I'm sure, but after all this work, I'm not going to say no to festivities and wine.

Wednesday, October 22, 2008

Warren Walkabout



I went back to the shoemaker's shop for the fourth time about a week ago to visit my machines during the annual Warren Walkabout. It's a bit disconcerting to see them, they're familiar and strange at the same time. Some seem smaller, almost like miniature models, in others I see new details that I want to rush back and incorporate into my paintings. This was probably my last visit, chances are good that I'll be moving on to a different subject after my show, although I'm still not sure what. The natural world always seems to be what I plan to return to, but a chance encounter, like that with shoe machines, can divert me.

While in Warren I talked with the shoemaker himself, Tim Noonan, and to my surprise he had not heard of St. Hugh, although he was very familiar with the other patron saint of shoemakers, St. Crispin. He showed me a hammer with "Crispin" stamped in the metal head, and a tool he uses actually made out of a bone, though I doubt it was St. Hugh's bone.

Sunday, October 12, 2008

chaos

No, I'm not talking about Wall St., I'm talking about my studio. I like to think I keep it pretty organized, but it always gets like this in the weeks before a show.


In fact, here it is right before my Russia show, the last time that I went all out making frames.


I'll be glad to deliver the paintings to the gallery in about 4 weeks (gulp) and sweep it out.

But once the show is up and the cold weather settles in I'm not sure how often I'll be able to work in this studio. I managed to hang on to my day job, which these days is a good thing, but the bummer part is that they are probably going to change my schedule so I might not get back home to my studio till 6 or 7. Since it takes about 2 hours to warm up the space in the dead of winter, it will mean starting at 8 or 9 at night. I'll do it somehow though...I'm not going to stop doing my work just cause I have to make a little money.

Like a lot of people, I've been obsessed with politics lately. I must check the polls a dozen times a day. I'm liking what I see though, I hope we can keep it going. I'm also glad to see so many art blogs I visit have gotten political and show their support for Obama, so I know I'm not the only artist being distracted by this critical election. The more we are subjected to the dirty campaigning of McCain and Palin, the more I'm convinced that they deserve to lose even more than Obama deserves to win. If like me, you've been appalled by the anger filled McCain/Palin rallies, Edward Winkleman turns the anger back where it belongs.

Monday, October 6, 2008

September report

September started out strong for painting days, but I've had to change into framing mode for the last few weeks, and have had to think about all the promotion stuff as well. Sometimes I dream of delegating some of the practical matters of having a show, but as the date gets closer, I find it seems easier just to do it myself. The invitations were sent off to Modern Postcard this morning though, so that's done. Now to get my mailing list in shape. I'm going to design a web invite as well, and will post the link when I've finished it. If anyone who isn't on my list would like an invite when they come in, send me your address (email or actual) and I'll add you to my list.

Last week I found that, instead of my exhibit being a one person show for the 3 weeks it will be up, I will be sharing the gallery with a photographer, Peter Goldberg, for the first week (then I'll add more paintings to make it a one person for the next two weeks).

I hear that he will be exhibiting photos of the CSO, the huge sewer tunnel that is being drilled under Providence that will divert the rainwater that sometimes overwhelmed our sewage treatment plant and caused sewage to flow into the bay. I actually went down into the tunnel shortly after they started drilling and wanted to do a series of paintings about it. I never did get back underground though -- so many paintings, so little time! I did take a lot of photos and put together a couple of slideshows (The Utility Shaft and The Main Shaft) of my subterranean journey. I'm not surprised to see another artist inspired by the project, and am curious to see the photos myself.

Monday, September 29, 2008

Not sure I really want to be a starving artist after all....

As much as my day job interferes with my studio work, it's a bit unnerving when the safety net it provides begins to sprout holes, which is what happened last week. A round of layoffs at the newspaper where I work has affected me, which may or may not result in my joining the growing ranks of those without a weekly paycheck. In theory, (and fantasy) it would give me more time to paint, but like most painters I can't make a living from my brush, and don't want to lose the health insurance my job provides. So I'd have to dust off my resume and hit the streets, which would be even more of a distraction than the 9-5 grind, so I'm hoping to keep the job in one form or another, unfortunately.

But once I leave the ergonomic office chair, close my studio door and sit for a bit in my old painting chair it becomes of little importance. My battles are in here.

I toured the RISD Museum's new wing on Sunday with some out of town guests. It sure is a change from the old wing—for one thing, it has a escalator! That kind of blew my mind. The Chihuly show was ok, but I thought it was rather thin, despite the dramatically lit and reflected installations. I'll have to go back and take another look when it's not so crowded. I'd like to take another look at the David Macaulay show too. I have to really respect the work that went on behind the pages of his books. Contrast his thoughtful sketches with the "art fair" type paintings that Chihuly whips out for his assistants as studies for his glass designs.

44 days till the hanging.

Monday, September 22, 2008

51 days...

I've been sadly neglecting this blog, due to frantically framing and preparing for weekend guests. I'm also trying to finish 3 more paintings for my show. The dates are finalized and are November 13 to December 5 with an opening reception November 15, 4-7pm. 51 days...but who's counting? My biggest, and most challenging painting in progress is not yet clicking...but is doing better thanks to some advice my painter friend Steve gave me this week. Unfortunately it also means all the puzzle pieces that aren't quite fitting need to go back in the box for a good shuffle...

I also have to accept the possibility that it won't make it into the show, it's more important to get it right than to finish it by some arbitrary date.

Meanwhile, here's a totally unrelated, but cool photo of rain in the grass....

Sunday, September 14, 2008

A Fable

How the shoomakers stole away Saint Hugh's bones and made them working tools thereof, and the vertue that they found in the same; whereby it came that when any man saw a shoomaker travelling with a pack at his back, they would presently say: "There goes Saint Hugh's bones."


Upon a time it chanced that a company of journeymen shoomakers passed along by the place where Saint Hugh's dead body was hanging, and finding the flesh pickt cleane off from the bones, they entred thus into communication amoung themselves:

"Never was Saint Hugh so bare", quoth one, "to carry never a whit of skin upon his bones."

"Nor thou never so bare", said another, "to beare never a penny in thy purse. But now seeing you talk of Saint Hugh, it brings me to remembrance of his legacy that he gave us at his death."

"What was that?" said the rest.

"Marry", quoth he, "I will tell you. When the gentle prince saw that the cruelty of the time would not suffer him to be liberal to his friends, but that his life was taken away by one and his flesh given to others, he most kindly bequeathed his bones unto us."

"Tush", quoth another, "that was but to show his mind towards the shoomakers, because he had received of them so many favors; for alas, what can the dead man's bones pleasure the living?"

"No", quoth another, "I can tell you there may be as great vertue found in his bones as the brains of a weasill or the tongue of a frog."

"Much like", answered the rest, "but I pray thee shew us what vertue is in those things you speak of."

Quoth he, "I will tell you: the braines of a weasill hath this power, experientia docet, that if the powder be mingled with the runnet wherewith women make their cheese, no mouse dares touch it. In like manner the tongue of a water-frog hath such great force in it that if it be laid upon the breast of any one sleeping, it well cause them to tell whatsoever you shall demand: for by that meanes Dick Piper knew he was a cuckold. Againe, I know that those that are travellers are not ignorant that whosoever puts but six leaves of mugwort in his shooes, shall nere be weary, though he travell thirtie or fourtie miles on foot in a forenooon."

"That, indeed, may be true", quoth one, "for by the verie same hearb my last dame kept her ale from sowring. And it is said that where housleek is planted the place shall never be hurt with thunder. Pimpernel is good against witchcraft, and because my sister Joan carried alwayes some about her, Mother Bumby could not abide her. Therefore, what vertue a dead man's bones may have we know not till we have tryed it."

"Why, then", said the third man, "let us soon at night steal Saint Hughe's bones away and, albeit the tyrant will be displeased, yet it is no theft; for you say they were given us, and therefore we may the bolder take them. And because we will turn them to profit and avoid suspition, we will make divers of our tools with them; and then if any vertue do follow them, the better we shall find it."

To this motion every one gave his consent; so that the same night Saint Hughe's bones were taken down, and the same being brought before a sort of shoomakers, there they gave their opinion that it was necessary to fufill the will of the dead, and to take those bones in as good a part as if they were worth ten thousand pounds. Whereupon one stept out and thus did say:

My friends, I pray you, listen to me,
And mark what S. Hughe's bones shall be:
First a drawer and a dresser,
Two wedges, a more and a lesser.
A pretty block, three inches high,
In fashion squared like a die,
Which shall be called by proper name,
A heel-block, the very same.
A hand-leather and thumb-leather likewise,
To pull out shooe-thread we must devise;
The needle and the thimble
shall not be left alone,
The pincers, the pricking-aule,
and the rubbing stone;
The aule-steele and tackes,
the sow-haires beside,
The stirrop, holding fast,
while we sowe the cowhide;
The whetstone, the stopping-stick,
and the paring-knife --
All this doth belong
to a journeyman's life:
Our apron is the shrine
to wrap these bones in:
Thus shroud we Saint Hugh's bones
in a gentle lamb's skin.

"Now all you good yeomen of the Gentle Craft, tell me now", quoth he, "how like you this?"

"As well", replyed they, "as Saint George doth of his horse, for as long as we can see him fight with the dragon we will never part from this posie."

"And it shall be concluded that what journeyman soever he be, hereafter, that cannot handle his sword and buckler, his long sword or a quater-staffe, sound the trumpet or play upon the flute, and bear his part in a three-man's song, and readily reckon up his tools in rime --except he have born colours in the field, being a lieutenant, a sergeant, or corporall -- shall foreit and pay a pottle of wine, or be counted for a colt." To which they answered all, viva voce: "Content, content"; and then, after many merry songs, they departed. And never after did they travell without these tools on their back; which ever since were called Saint Hughe's bones.

from
The Gentle Craft
By Thomas Deloney, Alexis Frederick Lange
Published by Mayer & Müller, 1903

Saturday, September 13, 2008

Clams and clamps

Yesterday I took an unpaid day off work to paint, so I can afford to make today a catch-up day, with a break to take my mom down to Flo's for some fried clams as a last summer treat before resigning myself to the idea that summer is ending. It actually feels more like fall now, it seems in the last few days the light has shifted, and I've put on socks and a jacket a few times already.

My other goal today was to finish my statement, finalized what I'm calling my exhibit, and work on my postcard and gallery book. But I'm procrastinating of course, by working on frames and writing this blog. My frames I think will go well, I've simplified my design, so now it's just production line of sawing, clamping, gluing, nailing, assembling, sanding, spraypainting, and finish work for at least 16 oil painting frames and numerous frames with glass. It looks like an awful lot when I write it out, but I can do it, because....I have to!

But enough procrastinating, I've got to tackle that statement.

Thursday, September 4, 2008

Does outrage make for better painting?

If not, I should probably turn off the radio...


This is the first painting I did for the series I am going to exhibit in November. Hopefully I am working on the last now, although I'm tempted to try a few more if time permits...which of course it won't!

Tonight I'm taking a break, instead of staying up late painting and torturing myself listening to McCain's acceptance speech, I'm going to grab a drink with a friend at the local watefront watering hole, right next to these guys, Reliant and Resolute (painted in 1988).

I need a drink after the Huckabee act...
"Barack Obama's excellent adventure to Europe took his campaign for change to hundreds of thousands of people who don't even vote or pay taxes here. It's not what he took there that concerns me. It's what he brought back. Lots of ideas from Europe he'd like to see imported here."
OOh, scary Europe, best to stay home where it's safe...

(sorry to get political, it takes a lot to get me to sound off! Here's some comic relief to make up for it -- McCain's Voice Mail to Palin Leaked to Press (Listen))

Friday, August 15, 2008

Frames of mind


This week I started thinking seriously about framing for my show in November. I really would like to buy frames, but haven't seen any that would suit my paintings at a reasonable cost, so I may be back to making them myself again. I've come up with a simplified version of a very work-intensive frame I had originally planned for the oils, so I'm going to make a sample and if it works, I'll go that route.

I sorted my studies as well, most are on paper so I'll need to frame behind glass--boy do I hate that kind of framing. I'm lucky though, I had stocked up on some simple oak frames in all sizes that the RISD museum was "deaccessioning". They were selling them very cheaply, but they can still be called "museum quality frames"! I think I'll splurge and have the mats cut for me though. I've never mastered that skill, despite the acres of matboard that have gone under my knife.

Monday, August 11, 2008

Blue


I'm posting what I think is my latest finished painting from the Shoemaker series that I'm going to exhibit in November. I say "I think" because sometimes I decide a painting is finished and then it refuses to settle down and keep nagging from its corner of the studio. Yesterday I went back into a painting that I had considered finished months ago. It's always bugged me though, so it's actually a relief to paint out some sections and rethink them. It already looks better.

It's not every studio session that I dare to make decisions like that. Sometimes I have a whole day in the studio but my brain is not connecting to my work. Or the opposite happens. I'm really focused and connected, but other obligations pull me away from the studio, so I can just open the studio door and stand in front of my painting for a few minutes, car keys in hand...

I don't know what's more frustrating, but I think the former, since I feel like I should be able to just "snap out of it". It would be better on those days just to go for a bike ride or walk but studio days are so rare. . .
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